APS April Meeting 2010
Volume 55, Number 1
Saturday–Tuesday, February 13–16, 2010;
Washington, DC
Session A5: Art and Physics
8:30 AM–10:18 AM,
Saturday, February 13, 2010
Room: Thurgood Marshall West
Sponsoring
Units:
FPS AAPT
Chair: Charles Ferguson, Council on Foreign Relations
Abstract ID: BAPS.2010.APR.A5.1
Abstract: A5.00001 : Perspective of an Artist Inspired by Physics
8:30 AM–9:06 AM
Preview Abstract
Abstract
Author:
Jim Sanborn
Using digital images and video I will be presenting thirty years
of my science based artwork.
Beginning in the late 1970's my gallery and museum installations
used lodestones and suspended compasses to reveal the earths'
magnetic field. Through the 1980's my work included these compass
installations and geologically inspired tableaux that had one
thing in common, they were designed to expose the invisible
forces of nature. Tectonics, the Coriolis force, and magnetism
were among the subjects of study.
In 1988, on the basis of my work with invisible forces, I was
selected for a commission from the General Services
Administration for the new Central Intelligence Agency
headquarters in Langley Virginia. This work titled
\textit{Kryptos} included a large cryptographic component that
remains undeciphered twenty years after its installation. In the
1990's \textit{Kryptos} inspired several of my museum and gallery
installations using cryptography and secrecy as their main
themes. From 1995-1998 I completed a series of large format
projections on the landscape in the western US and Ireland. These
projections and the resulting series of photographs emulated the
19th century cartographers hired by the United States Government
to map the western landscape.
In 1998 I began my project titled \textit{Atomic Time}. This
installation shown for the first time in 2004 at the Corcoran
Gallery in Washington DC, then again in the Gwangju Biennale in
South Korea was a recreation of the 1944 Manhattan Project
laboratory that built the first Atomic Bomb. This installation
used original equipment and prototypes from the Los Alamos Lab
and was an extremely accurate representation of the laboratory
and the first nuclear bomb called the ``Trinity Device.''
I began my current project \textit{Terrestrial Physics} in 2005.
This installation to be shown in June 2010 at the Museum of
Contemporary Art in Denver is a recreation of the large particle
accelerator and the experiment that fissioned Uranium in 1939 at
the Carnegie Institution in Washington DC. This was the first
time uranium had been fissioned using a particle accelerator and
it was demonstrated for an audience including, Enrico Fermi,
Niels Bohr and Merle Tuve.
To cite this abstract, use the following reference: http://meetings.aps.org/link/BAPS.2010.APR.A5.1